O’Brien created clay models (later rubber over wire meshes) that were painstakingly stop-motion animated for early Hollywood-era films like King Kong.įrame by frame, the models were manipulated and moved to give the impression of a massive ape rampaging through New York. And you might think that we’ve advanced dramatically, but in many ways, some of the principles remain he same. Many of these films feature some truly incredible prosthetics and monster suits. Some of the most classic special effects appear in creature features and monster films from the early 20th century. Visual effects, on the other hand, open boundless visual possibilities to a filmmaker, the only limit being technical competence and creative vision. However, special effects often require specialized equipment, trained professionals, and careful choreography, which can be challenging for many new filmmakers. “Special effects can be preferable in many instances, because your actors can respond to the effects on set, and you get lighting effects and other features you would otherwise have to create digitally, often at great expense,” says director Steven Bernstein. Early visual effects saw filmmakers toying with film stock, while modern visual effects deal in animation, computer generated imagery (CGI), and other post-production effects.Įach has its strengths and weaknesses.
Visual effects, on the other hand, are created in post-production or the editing bay. While there are further subcategories, special effects are often practical, meaning that they are artificially created on set (for example, a controlled explosion in an action scene). Special effects and visual effects are often conflated, but they are different.
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